Tag Archives: Writing

Days Two and Three: The Weekend

Good music, good food, good company, a black swan and some black ants, and other etceteras.

On Saturday, I again breakfasted with Justine and Scott, and had some laugh-out-loud moments because they’ve both got great comic timing. I was starting to feel better. Jet lag, especially jet lag after three flights, is no joke. It’s a fatigue so deep it feels like the marrow is draining out of your bones. Fortunately, Saturday was a relatively light day with two purely enjoyable items. The first was a coffee meeting with Dr Amy Matthews, who was to moderate my Sunday panel on Redemption in Indigo. She suggested we meet in advance and chat a bit about what to discuss. We ended up sitting on the grass down by the river in marvellous conversation for about three hours. There was a brief encounter with an oddly friendly, yet shy, black swan who approached us but when we merely stared warily and declined to offer it food, it sidled away with its head tucked into its back as if it was napping, or maybe just embarrassed. Swans are sizable birds. I do not mess with swans. Nor geese.

The Writers’ Week reception took place that evening. A group of us gathered in the hotel lobby to walk over to the venue. A cheerful, charming gentleman introduced himself to me as Tom Keneally. I was still insufficiently alert, so it was much later when I clued in to who he was and got him to sign my just-purchased copy of The Chant of Jimmy Blacksmith.

The reception was most enjoyable in a way that can only be managed when a room full of writers and other literary types get together and have conversations. Several of us got hauled aside by the Guardian (UK) for some photos. After the reception, because the night was still young, I followed Tracey (the publicist) and a few others to the Barrio where there was a live band playing some excellent music. Eventually it dawned on me … wait a minute! That’s Soul II Soul! Pure nostalgia, great music – which alas, I could not fully enjoy because before they finished playing their set I realised that there was not much keeping me upright but sheer willpower. I chose to be sensible and went to bed.

There are things I can’t quite recall. For example, there was a stunning fireworks display down by the river which we (Justine, Scott and I) witnessed up close (very close!) from the terrace at the back of the hotel. Was that Friday night or Sunday night? I can’t remember! And I forgot that I did in fact go out to dinner Friday after the opening night performance with Sean Williams and his wife, Scott and Justine, and Isobelle Carmody (one of those delightful people who only have to speak twice to make you want to rush out and buy their books).

One of the reasons it became so hard to keep track of the days was that I was taking (whenever I could) a long nap during the day and having a short sleep at night. There’s a 14.5 hour difference between Barbados and Adelaide, almost a direct day-to-night flip.

On Sunday, I went down to the Writers’ Week venue in the morning well in advance of my afternoon panel so I could do a radio interview on-site. It was Kids’ Day, and there were little ones running about in costume. It was a great family atmosphere, everything outdoors and the weather hot, dry and clear. And ants. I was sitting under the trees listening to a panel when I looked to my right and saw that the gentleman sitting next to me was covered in black ants. They were crawling up the plastic chairs from a broad trail on a nearby tree. I alerted him and helped brush him off; he changed chairs and moved away from the tree. I was twitchily viewing my own chair for ants for a while and just when I managed to calm my paranoia I looked to the row ahead and there was a woman crawling with ants.

The panel before mine featured Justine Larbalestier, and Isobelle Carmody. It was enjoyable and relaxing  (no, I did not nod off) and put all thought of black ants out of my mind. Most if not all of the panels were being recorded for television, which meant that later during my panel when I actually was stung by an ant, I had to make it look very casual, as if I was merely brushing my shoulder rather than slapping the life out of the little miscreant.

Sean Williams fortified me with a chocolate freckle before my panel, and rewarded me with a dark chocolate covered macadamia afterwards. Walking around with chocolate treats is apparently his ‘thing’. I’m not complaining.

The panel went really well, thanks in no small part to our preparation the previous day. I got an absolutely brilliant question, weighty with knowledge and perception, from a woman in the audience who, when I queried her, admitted to having been in Barbados just the year before. I’m happy the panel was televised, but especially for that question which gave me a new insight into the approach I chose for Paama’s brand of heroism.

Here I am, looking like I know what I’m talking about:

Karen Lord discusses her book Redemption in Indigo on stage

[Source]

After the panel, I had a fun time at the signing table, then went back to catch the second half of Sean interviewing Scott about Leviathan. That was fascinating, and I wish I could have heard the entire session, but it was enough to tempt me to buy the book (and Behemoth and Goliath). Well played, Mr Westerfeld.

Before I forget, I should mention that I also found out from Amy that Redemption in Indigo is on the reading list of an undergrad course at the University of Adelaide, so there were students at my panel and in my signing line – yay!

At the end of the day, we went and had dinner at a restaurant with a secret room hidden behind a cunning sliding bookcase. (Oh dear, I’ve said too much. Well, I won’t tell you the name of the restaurant at least.)

That’s what I can remember of the weekend! Strictly speaking, that was Day One and Day Two of the Writers’ Week but Days Two and Three of the Adelaide Festival … but nevermind. I’m numbering these Days according to the time I was spending there, not by their calendar.

Next, Day Four!

Shared Worlds Writing Camp

And this is where I’m spending part of my summer:

Shared Worlds, a non-profit science fiction/fantasy teen writing summer camp hosted by Wofford College, has received a third consecutive supporting grant from Amazon.com and has named author Karen Lord as its Amazon.com Writer in Residence for 2013.

(Source)

I’m really looking forward to this!

Some updates

The blog pages for ‘About‘ and ‘The Best of All Possible Worlds‘ have been updated. There is an interview (more on that soon), three new reviews from the Wall Street Journal, the Telegraph and the Seattle Times respectively, and an extra in the form of a Spanish translation of the previously-linked short story ‘Astronomy Lesson’.

The Next Big Thing Meme

Charles Tan, the Bibliophile Stalker, tagged me for the Next Big Thing meme. Every Wednesday, a different set of authors (and sometimes editors) talk about their upcoming work. I’ve answered the questions, but I’ve failed miserably at finding people to tag. You’ll find out by the end just how miserably, but for now … on to our questions!

What is the working title of your next book?

The title is The Best of All Possible Worlds.

Where did the idea come from for the book?

After the Boxing Day Tsunami, I was particularly moved by news articles on certain fishing communities that lost almost all of the women and children while the majority of the men survived because they were at sea. The reports of the individual and community reactions to this kind of crisis added to what I already knew about less dramatic (though still significant) instances of gender imbalance in contemporary and historical societies. I didn’t have a story in mind at the time, but that was the foundation.

There’s an accidental link to another disaster. The 1755 Lisbon earthquake and tsunami was a devastating event that provoked Voltaire to challenge the idea that this is ‘the best of all possible worlds’. That phrase and its associated theodicy are from Leibniz. But I did not have any of this in mind when I came up with the title. My brief mention of Leibniz in the book is also accidental and is entirely to do with calculus rather than philosophy.

What genre does your book fall under?

Science fiction with some light background romance.

What actors would you choose to play the part of your characters in a movie rendition?

The story is carried by a core group of characters, so I’d need a great ensemble cast. For the leads, I think Angel Coulby would be perfect as Grace Delarua. Dllenahkh, the male protagonist, has been harder to cast. The ideal actor would be a middle-aged Pacific Islander who could convey a lot of gravitas with a hint of humour.

What is the one sentence synopsis of your book?

Refugee aliens on frontier planet seek genetically compatible brides for the purpose of post-genocide repopulation; bureaucracy, culture clash and hilarity ensue.

Will your book be self-published or represented by an agency?

Sally Harding of the Cooke Agency sold the manuscript to Jo Fletcher Books/Quercus in the UK and Del Rey/Random House in the US.

How long did it take you to write the first draft of the manuscript?

Three months. A lot was changed in the third month, and there were significant additions about a year later.

What other books would you compare this story to within your genre?

The size of the mission team and their visits to small, rural communities as well as larger towns is reminiscent of The Sparrow by Mary Doria Russell. The romance has been compared to Jane Eyre. The sociological and anthropological focus has been compared to the works of Ursula LeGuin.

Who or what inspired you to write this book?

After the Star Trek reboot came out, I read a hypothesis that the Vulcans might now have a skewed demographic because their offplanet occupations appeared to be very male-dominated. That resurrected my earlier thoughts on gender imbalance in societies and further inspired me to use a sci-fi framing for my ideas.

What else about your book might pique the reader’s interest?

There are Elves in it. Sort of.

I was supposed to tag five more people but a) it’s late in the meme and a lot of people have already been tagged, and b) it’s December and people are Christmas-busy as well as deadline-busy. But I did find one person: Karen Burnham. Look out for her blog post this time next week.

An interview and an invitation

Brad R. Torgersen, 2012 nominee for the Campbell Award, is interviewing the other Campbell nominees on his blog. So far he has an interview with Mur Lafferty and with yours truly. Go look!

The next episode of SF Crossing the Gulf will soon be released. Usually we warn listeners that we plan to be very spoilery and advise reading the book or stories in advance. This time we are discussing My Bones and My Flute by Edgar Mittelholzer, which is out of print but available at libraries (the link provided leads to WorldCat, one of the biggest if not the biggest library catalogue search engines). We’ll provide a summary of the novel before our discussion and fill in details as we go along, so in this case you will not need to have read the book in advance. Mittelholzer is a great start point for anyone new to Caribbean SF, so I invite all novices to come and listen. I also invite the Mittelholzer specialists, those who are more than well-acquainted with Caribbean literature, to listen and ensure that I don’t misrepresent him too badly. I’m looking forward to having a vigorous and illuminating discussion in the comment thread afterwards!

The Bim Lit Fest, Spanish rights and an interview

The inaugural Bim Lit Fest, which took place from May 16-20, deserves a far better post than I can craft at the moment. It’s harder to blog than Bocas because there were fewer events, and the highlights were more personal than general. It was great to see Kei Miller (Jamaican poet and novelist) and Kendel Hippolyte (St Lucian poet) again, to meet John R Lee (St Lucian poet), and to encounter in one space the Caribbean greats Austin Clarke, George Lamming, Earl Lovelace and Derek Walcott. I had a fascinating conversation about Caribbean literary speculative fiction with Jeremy Poynting of Peepal Tree Press. I had old school friends with me, supporting me and enjoying the festival. I am slowly updating my haphazard and not at all definitive list of Caribbean writers and poets.

Kudos to Esther Phillips for bringing the Bim Lit Fest from idea to actuality! I’m looking forward to seeing it continue and grow and become a fixture in the Barbadian events calendar.

In other good news, Cooke International has sold Spanish rights to The Best of All Possible Worlds to RBA Libros!

Finally, fellow nominee Stina Leicht is interviewing all the nominees for the Campbell Award for Best New Writer, and my interview is here.

Day Four of Bocas 2012 – The End

The last day of Bocas 2012 was a Sunday and the schedule was as packed as any other day, which made for some cruel choices. I split my time between two morning sessions, hearing a little of Kei Miller’s poetry but sadly missing Mervyn Morris to catch the end of the reading and interview with Rabindranath Maharaj. Rabindranath read from The Amazing Absorbing Boy, which was on the Bocas fiction longlist last year. His reading reminded me of Kei’s fiction; it was humorous even when events were semi-tragic. Is this a Caribbean thing, to tolerate writers who make you chuckle and smile and relax at misfortune before they slip the angst in like a stiletto between the third and fourth ribs?

Much to my disappointment, I missed the drama-documentary Frantz Fanon: Black Skin, White Mask directed by Isaac Julien. My presence was required for a panel to discuss ‘Anxieties of influence: postcolonial writing and literary tradition’. Here is a tweet and twitpic of the event, courtesy of Annie Paul.

It was a good time to feel intimidated. Winner of the Bocas 2012 poetry prize Loretta Collins Klobah, Shara McCallum who was longlisted for poetry this year, and Kei Miller who was longlisted for poetry last year – they are all bona fide university-affiliated academics, scholars, lecturers in literature. Then there was me. One of these things is not like the others. The moderator, literary critic Kenneth Ramchand, was kind and did not mock me for talking about the ‘voices’ of Terry Pratchett and Ray Bradbury (yes, of course I mentioned Paul Keens-Douglas, Andrew Salkey and others, but still!). I think, however, he may have downgraded his estimation of my intelligence when I flaunted my childhood decision to never study literature because teachers always sucked the fun out of it. (In my defence, I did take some English courses as an undergrad, but I was always disappointed by the literature courses, so I can’t say my decision was wrong).

Fortunately, my highly-qualified fellow panellists did not once make me feel like I had no right to be there. I had a lovely conversation afterwards with Loretta about the shared culture and history of the Caribbean expressed in different languages (she lives in Puerto Rico). Shara McCallum … did you know that she’s in The Year’s Best Fantasy and Horror: Tenth Annual Collection (1996, eds Ellen Datlow and Terri Windling)? And so is Olive Senior! Who says that Caribbean speculative fiction is a new thing? I’m trying to tempt Shara to come to the World Fantasy Convention this year. We need a Caribbean posse to take over the parties.

I could’ve, should’ve, and didn’t attend the readings of the Bocas 2012 winners, again opting for a rest-afternoon to prepare for the final act, a party at the residence of Earl Lovelace. There was food, drink, conversation, music and dancing. It was the perfect conclusion to Bocas 2012. The chair of last year’s fiction judges, Margaret Busby (OBE, British co-founder of the publishing house Allison & Busby, born in Ghana, Barbadian father), very kindly complimented me on Redemption in Indigo and introduced me to Earl Lovelace. I congratulated him on his win this year. He congratulated me for being longlisted last year. I need to have grandchildren some day so I can tell them about this.

That’s it! I have shared with you my highlights of Bocas 2012. I hope you have enjoyed them. It is only the second year of the Bocas Lit Fest and it’s already a literary festival of note not only regionally but internationally. Follow their twitter @bocaslitfest and their website. Enter your work, if eligible, for consideration. Start making plans to come to Bocas 2013. You might just see me there.

Day Three of Bocas 2012

With no scheduled appearances, I was able to enjoy the fest like a reader, and whenever wifi was available, I tweeted more. I’ve put links to those tweets at the relevant parts.

First I attended a very enjoyable morning event featuring Joseph O’Neill, Irish author of the award-winning Netherland. The topic was ‘the joys – and perils? – of writing a Trinidadian character’. This sounded very much like a ‘Writing the Other’ kind of situation, so I was interested to hear his strategy. Surprisingly, it appears that in order to write the Other, it helps if you know the Other. O’Neill played cricket in a New York club and thus acquired several Trini teammates. He also visited Trinidad when he was a barrister in the UK assessing appeals from death row prisoners. In addition to the direct experience, he noted two cultural similarities: Trinidad and Ireland both have a verbal culture, and both have the ‘smartman’ character ‘found everywhere people from places without power are trying to bluff their way upwards’.

After lunch, I wandered about looking at the booksellers’ tables. I indulged in a bit of nostalgia. Did you know Peepal Tree Press has a reprint series, Caribbean Modern Classics? I bought Andrew Salkey’s Riot. I still have my copy of Hurricane from school days, but these new reprints are beautiful and I might just get the full quartet (includes Drought and Earthquake, which should tell you something about the region I live in).

I just now looked at the illustrations, which I always loved, and felt a strange familiarity. Yes, they were the illustrations from the old 70s edition I’d read, but wasn’t that the style of the illustrator of C.S. Lewis’s The Screwtape Letters? I looked it up, and behold! It was William Papas! I can’t believe it took me so long to realise this!

I didn’t linger for the afternoon sessions but left early to rest up and prepare for the main event – the awards ceremony for the OCM Bocas Prize for Caribbean Literature. Hoping to find a snack to tide me over for the duration of the ceremony, I took an early shuttle to the venue with Frank Birbalsingh, chair of the non-fiction panel of judges … but wait, this is a good time to talk about the judges. I’ve already mentioned two of them in previous posts. Erna Brodber was one of the non-fiction judges, and Rabindranath Maharaj was one of the fiction judges. I met Achy Obejas, another fiction judge, when someone on my twitter list introduced us by handle and she re-introduced herself in person! I had dinner and much marvellous conversation with poetry judges Kendel Hippolyte and Nicolette Bethel, whose twitter feed (@nicobet ) under the #bocas2012 hashtag makes for rich reportage. The full list of judges, the longlist of books, the shortlist, and the prizewinner are all at the Bocas blog, but check that later and stay with me for now.

As I said, we got there early, but before we could snoop around for a roadside food cart, Nicholas Laughlin (the utterly charming programme director of Bocas 2012 – no really, I am not being a luvvie, we all adored him) snaffled up Frank to take him to his assigned front row seat. Insufficiently hungry (or brave) to forage by myself, I followed them into the COLD (typical!) theatre and vaguely decided that I might as well take in the pre-ceremony concert. It was the best non-decision I ever made. After proving their mettle with Peter Warlock’s Songs for Tenor and String Quartet, the faculty musicians of the University of Trinidad & Tobago then blew us away with The Old Yard: Carnival Portraits from Trinidad, composed by Adam Walters. The music was accompanied by images by Maria Nunes and each movement was prefaced by a poem by Muhammad Muwakil (I need to know when those poems will be available for purchase, because they were striking). I enjoyed the images even more when I discovered that the gentleman sitting beside me was Michael Jobe, whose carnival designs were featured during the fourth movement which celebrated the moko jumbie (stiltwalker).

Want a taste?

Here are three of the five movements on Adam Walter’s soundcloud.

Here are some of Michael Jobe’s moko jumbies, captured by Maria Nunes.

The entire Carnival photo gallery is huge, but well worth a look. You’ll see there some of the other images used for The Old Yard. I could not find the Carnival Bat, but there are the Blue Devils, the Midnight Robber, and Dame Lorraine.

On to the ceremony! There was the announcement of a new prize, the Hollick-Arvon Caribbean Writers Prize, which will offer support for an unpublished Caribbean writer resident in the region to complete a work in progress. It’s an amazing opportunity, and if you think you might fit the criteria, keep an eye on the Bocas blog which will soon post details on how to enter.

The chairs of the panels spoke about the longlisted books, and short videos of readings and interviews with the winners were shown. The winner for poetry, Loretta Collins Klobah, and the winner for non-fiction, Godfrey P. Smith, both glowed as they spoke the honour of being listed with the winner for fiction, Earl Lovelace. George Lamming, overall chair of the judging panel, spoke movingly of the role of literature in keeping history alive, particularly those events which some try to forget or erase. He then announced the winner of the Bocas Prize: Earl Lovelace for his novel Is Just a Movie.

This is a very long post, so I will draw the veil of discretion over the post-ceremony celebrations. I did, however, have the pleasure of drinking, talking and sharing antipasto and bruschetta with writer Myriam Chancy and critic Charmaine Valere.

One more day, one more post. There will be dancing!

Day Two. Bocas Continues Fine.

I was scheduled for a two-hour workshop with award-winning author Rabindranath Maharaj (born in Trinidad, based in Canada) on the topic ‘Getting to the end: how to bring a work in progress to its best conclusion’. Due to the assigned time, I missed other interesting morning events like Michael Anthony’s talk on the evolution of Carnival and W.A.R. Stories, a documentary on the life of Walter Rodney directed by Clairmont Chung. Once more, my inability to bilocate proved a nuisance.

I learned more from helping to conduct that workshop than I would have learned from taking it! Rabindranath was all kindness and reassurance, and I leaned heavily on his years of experience teaching writing. I was not ashamed to ask a question or two myself. Some questions and answers were retained for later musing. Why does a novel get stuck? Because something isn’t working and perhaps your own suspension of disbelief has been compromised. But what isn’t working and why? Is the character development consistent? Does the plot make sense? What about my own work – do I also feel it when the society doesn’t make sense even if the characters are individually consistent in their words and actions? When do you admit defeat (or at least temporary retreat) and put down an unfinished draft? When does a novel ‘end’? At the first draft, the final draft? The first edit, the copyedited manuscript? The reviews and reader-reactions that inspire the author to change their approach in future, perhaps-related works? There are different strategies for getting through each of these stages.

Here’s my post-workshop tweet and a tweet plus twitpic from writer/researcher/lecturer Rhoda Bharath. I look a bit wrapped up; the air conditioning was on full-force!

After a quick lunch I prepared myself to record an interview for the podcasters at The Spaces Between Words. They are a lovely, professional team. They worked hard for the duration of the lit fest and they have a long list of podcasts from Bocas writers and others waiting in their queue. Check out their Still to Come page – classics and debuts, legends and new wave! I read a bit from Redemption in Indigo and answered some questions, and although I can’t guarantee I made sense it was one of the best interview experiences I have ever had. My heartiest thanks to interviewer Nicha Selvon-Ramkissoon, assistant editor and technical assistant (and photographer!) Ryan Durgasingh and editor Giselle Rampaul.

After the interview, I wandered into the tail-end of an afternoon talk by Anne Walmsley (former Caribbean editor for Longmans) on ‘Caribbean Publishing in the 1970s’. The audience appeared fondly nostalgic and slightly awed at her account of the nurturing of the Caribbean literary voice in that decade. I was drawn in as well by the mention of Ann Musgrave, the late proprietor of one of my favourite bookstores in Barbados, the Cloister, which could always be counted on to have shelves well-stocked with Caribbean literature.

Two incredible days down, two more days of Bocas to come!

Introducing the Bocas Lit Fest 2012

I thought I would blog daily while at Bocas 2012, but once I got there I didn’t want to dutifully blog and I didn’t want to take pictures of everything. I wanted to enjoy myself and I did, only tweeting and taking snapshots when I felt like it. Now I want to look back, remember, and tell you all about the amazing people and works I have encountered.

Day one of the festival started with a welcome ceremony. To commemorate the fiftieth anniversary of Independence, there were four readings of classic works from around fifty years ago: the prose of V.S. Naipaul, poetry by Derek Walcott (both of them Nobel Laureates, as I’m sure you already know), a speech by Eric Williams, and satire by ‘Macaw’, the pseudonymous Trinidad Guardian columnist. The excerpt from Derek Walcott’s ‘The Star-Apple Kingdom’ concluded on a powerful image:

… a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
‘Let me in, I’m finished with praying, I’m the Revolution.
I am the darker, the older America.’

It was beautiful … gorgeous readings expertly read … an excellent beginning. Our appetites were whetted. Here’s the one tweet I managed.

Off I went to my first selected event (there were usually three events on at a time, so we were forced to choose). Jamaican novelists Sharon Leach and Kei Miller (who is also a poet) read from their novels. Sharon’s segment was enthralling and cleverly ended on a cliffhanger – a fender-bender, a carjacking, and a gun to someone’s head. Kei read from a work in progress which fascinated me. I recognised the same voice as in Redemption in Indigo: the personified omniscient narrator. He told of tragic events with a comic twist. We laughed at a man proud to be stricken with an STD in his old age, laughed at his instinctive horror when he was told he could expect to live another twenty years or more, laughed as he died of heart failure shortly afterwards in his sleep, in a wet dream. You had to be there. I’m sorry I’ll have to wait a while for this to be completed and published.

My tweets and twitpics of the event are herehere and here.

Here’s one of Kei’s poems featured in the UK Guardian and an article in the Jamaica Observer about an award for Sharon last year.

My own reading took place in the afternoon. I was sharing a timeslot with Erna Brodber. Erna Brodber. She is an elder for almost all aspects of my career, as a writer, a sociologist, folklorist and pattern-maker. She has received awards and honours for her fiction, her research and her community work. I felt awed. She read from her most recently published novel The Rainmaker’s Mistake and captivated all who listened.

I invite you to look here for the view from the official Bocas 2012 blogger Shivanee Ramlochan. There’s also my post-session tweet.

If you want to know more about Bocas than what I was able to take in, check out the hashtag #bocas2012 and the official blog.

I’ve turned off comments on this blog due to unrelenting spam, but if you were at Bocas and have a tweet, article or site that would add to the Day One overview, do message me on Twitter or Facebook and I’ll edit it into this post.

Tomorrow I’ll give you a glimpse of my second day at the Bocas Lit Fest!